1 00:00:01,360 --> 00:00:03,000 Thank you, that you give me a chance, René. 2 00:00:03,200 --> 00:00:04,200 A MONTH BEFORE 3 00:00:04,400 --> 00:00:07,120 I have always succeeded to get roles, 4 00:00:07,360 --> 00:00:12,200 and I always was invited to all TV shows. 5 00:00:13,120 --> 00:00:16,440 But now, since MeToo, no one calls me anymore. 6 00:00:16,680 --> 00:00:17,920 They are afraid. 7 00:00:18,360 --> 00:00:19,640 Tell me, René… 8 00:00:20,560 --> 00:00:24,680 ...have I ever bothered you? Honestly. 9 00:00:25,280 --> 00:00:27,320 Of course not, Karin. Never. 10 00:00:27,480 --> 00:00:31,400 Doesn't matter. What is this Mary Magdalene like? Is she a bit slutty? 11 00:00:32,120 --> 00:00:35,800 Yes, no... It's a multi-faceted role. 12 00:00:35,880 --> 00:00:38,720 -She suffered a lot as a child. -Uh. 13 00:00:39,280 --> 00:00:43,040 She suffered a lot so she became a slut. 14 00:00:44,000 --> 00:00:46,400 No, I beg you, Karin. It's not that simple. 15 00:00:47,400 --> 00:00:49,720 There is also a small problem with age. 16 00:00:55,680 --> 00:00:56,720 Do you want me to blow you? 17 00:00:58,400 --> 00:00:59,240 Forgiveness? 18 00:00:59,600 --> 00:01:01,880 What are you thinking? I was just acting. 19 00:01:01,960 --> 00:01:03,840 Sure, that was very natural. 20 00:01:05,400 --> 00:01:06,840 Forget it. Come on, let's rehearse. 21 00:01:07,040 --> 00:01:09,720 I have Magdalena's role adapted to me. 22 00:01:09,840 --> 00:01:11,440 Fine, do it however you want. 23 00:01:15,680 --> 00:01:18,080 And action! 24 00:01:18,680 --> 00:01:21,760 Give me your feet, Joshua! 25 00:01:25,480 --> 00:01:31,240 The eyes of the heart The eyes of the heart 26 00:01:31,320 --> 00:01:32,600 Boris! 27 00:01:32,920 --> 00:01:34,200 RENÉ THE DIRECTOR 28 00:01:34,320 --> 00:01:37,440 I'm singing a new story With emancipated characters 29 00:01:37,520 --> 00:01:39,400 ACTRESS/PRODUCER ACTOR/PRODUCER 30 00:01:39,920 --> 00:01:41,600 As the new algorithm dictates 31 00:01:41,720 --> 00:01:44,680 DIRECTOR OF THE SECOND UNIT CAMERAMAN 32 00:01:45,400 --> 00:01:46,640 ASSISTANT DIRECTOR PLATFORM MANAGER 33 00:01:46,720 --> 00:01:48,080 ASSISTANT SECOND ASSISTANT 34 00:01:48,240 --> 00:01:49,920 Parallel actions And complicated scenes 35 00:01:50,120 --> 00:01:51,320 THE AUTHORS 36 00:01:54,120 --> 00:01:56,160 EXECUTIVE PRODUCER CO-PRODUCER 37 00:01:56,360 --> 00:01:58,960 Let's not shoot We tell them 38 00:01:59,840 --> 00:02:01,520 An exciting TV series 39 00:02:01,600 --> 00:02:03,280 THE GUARDIAN THE OPERATOR 40 00:02:03,520 --> 00:02:05,680 That never lets you go 41 00:02:05,920 --> 00:02:12,760 Amidst supermen and teenagers You're glued to the screen 42 00:02:30,920 --> 00:02:33,480 TODAY 43 00:02:37,680 --> 00:02:40,080 What kind of scenes are these? which take up an eighth of the pages? 44 00:02:40,280 --> 00:02:41,640 These are the miracles. 45 00:02:41,760 --> 00:02:44,800 We need almost all of Jesus' miracles turn very quickly. 46 00:02:45,040 --> 00:02:47,880 I have a meeting with Lopez. He puts pressure on. 47 00:02:48,040 --> 00:02:48,920 Yes, I'm coming. 48 00:02:49,840 --> 00:02:52,200 Here I am. The auditions will start soon. 49 00:02:52,400 --> 00:02:56,040 Arianna, listen, Markus can be Filipino too, okay? 50 00:02:56,240 --> 00:03:00,240 No, we're lucky they gave us one Chinese were allowed, but no Filipinos. 51 00:03:00,400 --> 00:03:03,400 Listen. The Chinese don't trust Italian cinema. 52 00:03:03,520 --> 00:03:05,560 They don't send us their children. And why? 53 00:03:05,800 --> 00:03:07,640 They think Italian cinema only exists 54 00:03:07,720 --> 00:03:09,560 of bad people and criminals. 55 00:03:09,960 --> 00:03:12,280 Don't mess up. Find a Chinese guy. 56 00:03:12,600 --> 00:03:13,800 Where can I find one? 57 00:03:18,160 --> 00:03:20,000 Come on, the food is ready! 58 00:03:21,600 --> 00:03:27,640 change of scene, Inclusion, diversity, a wave... 59 00:03:27,720 --> 00:03:29,640 This is the email, that they sent. 60 00:03:29,880 --> 00:03:31,800 What does that mean? 61 00:03:31,960 --> 00:03:38,480 I understand that they also have diversity want within the crew. 62 00:03:38,840 --> 00:03:40,960 -Diversity? -Genders. 63 00:03:42,200 --> 00:03:45,480 If you analyze it word by word, it becomes clear. 64 00:03:45,600 --> 00:03:49,400 -Diversity. Diversity. -Sexual diversity. 65 00:03:49,480 --> 00:03:50,560 Sexual… 66 00:03:53,120 --> 00:03:55,000 Maybe I have something for you. 67 00:03:57,320 --> 00:04:00,720 A necrophiliac mechanic. 68 00:04:03,360 --> 00:04:09,160 No, I think so diverse The person doesn't have to be. 69 00:04:09,800 --> 00:04:15,440 A wave, then a change of scenery. Yes, that's clear. 70 00:04:16,240 --> 00:04:20,640 And then inclusive, Inclusion, diversity. 71 00:04:21,120 --> 00:04:23,720 This is an email from the platform. Do you understand that? 72 00:04:23,800 --> 00:04:24,920 No, I don't. 73 00:04:25,800 --> 00:04:28,960 Inclusion! We have no inclusion! 74 00:04:29,280 --> 00:04:32,440 But we are inclusive, Diego. Thomas is black. 75 00:04:32,520 --> 00:04:34,840 Markus is Chinese. What else do they want? 76 00:04:35,000 --> 00:04:41,760 That's wonderful, but they mean both in front of and behind the camera. 77 00:04:41,960 --> 00:04:43,960 Do we have homosexuals in the crew? 78 00:04:44,160 --> 00:04:45,360 No, that's not what they mean. 79 00:04:45,440 --> 00:04:48,440 No, we don't mean that, but it's normal 80 00:04:48,800 --> 00:04:51,200 that a set should be a melting pot, 81 00:04:51,440 --> 00:04:53,160 an element of inclusion and diversity. 82 00:04:53,360 --> 00:04:56,240 That's on the guidelines tailored to the platform. 83 00:04:56,480 --> 00:05:00,240 What, if we don't find this inclusion? 84 00:05:01,120 --> 00:05:07,320 At the moment they are negotiating whether they finance the project or not. 85 00:05:08,200 --> 00:05:10,160 Inclusion would help with the decision. 86 00:05:10,680 --> 00:05:12,240 Otherwise what? Are we excluded? 87 00:05:13,400 --> 00:05:14,960 A wave! 88 00:05:17,560 --> 00:05:22,880 You are here because I want to thank you. I reviewed the material. 89 00:05:24,600 --> 00:05:28,320 It's great! Wonderful. You are great! 90 00:05:28,440 --> 00:05:33,040 Thank you, thank you very much. You are a family and I want all of you 91 00:05:33,240 --> 00:05:36,560 into our wonderful family! 92 00:05:36,920 --> 00:05:39,560 You, for example, in the evening after work 93 00:05:39,640 --> 00:05:42,640 Do you go home and do something? Do you like… 94 00:05:43,160 --> 00:05:45,320 No, with your taste and your extravagance... 95 00:05:45,560 --> 00:05:49,360 No, but it's okay. I'm a bit naughty too, 96 00:05:49,600 --> 00:05:51,320 not to mention René. 97 00:05:52,040 --> 00:05:55,840 What I mean is, when you go home in the evening 98 00:05:55,960 --> 00:06:01,480 and want to turn it up a bit, then do that! 99 00:06:01,640 --> 00:06:04,680 We really need that urgently. 100 00:06:05,360 --> 00:06:08,320 I'm in my office now. If anyone else 101 00:06:08,400 --> 00:06:11,840 would like to make a little confession, I listen. 102 00:06:11,920 --> 00:06:15,480 Without prejudice. In my office! 103 00:06:18,440 --> 00:06:19,480 Ariana! 104 00:06:20,880 --> 00:06:23,160 The boy here insists that he has a fever. 105 00:06:23,360 --> 00:06:25,880 I don't insist I have a fever of 38 degrees, Duccio. 106 00:06:26,040 --> 00:06:27,240 That's not true. 107 00:06:27,480 --> 00:06:29,720 What the... 38 degrees? Are you crazy? Go home. 108 00:06:29,880 --> 00:06:30,720 I know. 109 00:06:30,800 --> 00:06:32,720 Okay, but he has to leave us his notes. 110 00:06:34,360 --> 00:06:36,040 -Is he unconscious? -Yes. 111 00:06:36,440 --> 00:06:37,560 I heard a crash. 112 00:06:38,240 --> 00:06:40,520 -What's up? -René… 113 00:06:40,680 --> 00:06:43,280 Do it yourself. Come on, Duccio, do what you do best! 114 00:06:43,520 --> 00:06:45,360 -Can we talk in private? -Yeah, sure. 115 00:06:45,680 --> 00:06:46,640 Alone. 116 00:06:48,240 --> 00:06:49,360 Yes. 117 00:06:50,560 --> 00:06:52,080 Nuschler, takes his notes, 118 00:06:52,200 --> 00:06:54,600 -before they take away his body. -Yes. 119 00:06:54,920 --> 00:06:58,040 Where did you get them? The notes? Turn around! 120 00:06:58,200 --> 00:06:59,840 That's where you hid them. 121 00:07:01,000 --> 00:07:05,280 I don't understand anything. That was written in the script of the slaves. 122 00:07:06,560 --> 00:07:09,400 Where are they? How do you write? 123 00:07:09,600 --> 00:07:11,080 Should I have him taken away? 124 00:07:11,160 --> 00:07:15,960 Yes, call the car. Please help move a body. 125 00:07:16,040 --> 00:07:17,960 Are you ready? 126 00:07:22,200 --> 00:07:27,120 We always joke around, me and... Come on, champ! 127 00:07:27,840 --> 00:07:28,840 I appreciate you very much. 128 00:07:29,080 --> 00:07:32,640 I can't see anything anymore, René! 129 00:07:34,720 --> 00:07:35,920 An Indian proverb? 130 00:07:36,160 --> 00:07:39,600 No, René, I can't see anything. Do you understand? Nothing at all. 131 00:07:40,040 --> 00:07:41,240 When did it happen? 132 00:07:41,840 --> 00:07:47,120 No idea. When we were in Mumbai, I started to see everything blurry. 133 00:07:47,680 --> 00:07:51,080 Shadows that come and go. 134 00:07:51,720 --> 00:07:53,760 Damn it, Duccio! Why didn't you say anything? 135 00:07:53,840 --> 00:07:55,240 You wouldn't have hired me. 136 00:07:55,840 --> 00:07:58,520 But what did you do in the first few weeks? turned? 137 00:07:58,680 --> 00:08:01,560 It surprises me that you of all people are asking that, René. 138 00:08:02,400 --> 00:08:04,280 I saw with the “eyes of the heart.” 139 00:08:04,640 --> 00:08:08,760 Relax, Rene. I'll take it. 140 00:08:09,160 --> 00:08:12,400 Maybe there's something else from Figueroa, the great maestro. 141 00:08:12,640 --> 00:08:17,600 I worked with him in the Amazon in 1996. I was still a boy, 142 00:08:17,720 --> 00:08:21,400 but I learned so much. I do it Figueroa style! 143 00:08:21,560 --> 00:08:23,960 Biascica takes over the camera! 144 00:08:24,080 --> 00:08:26,000 And he does it in the style of the master. 145 00:08:26,080 --> 00:08:27,400 -What was his name? -Figueroa! 146 00:08:27,480 --> 00:08:29,720 Figueroa! By the way, that's my style too. 147 00:08:31,880 --> 00:08:33,800 -Okay, show me Figueroa. -Come. 148 00:08:36,960 --> 00:08:38,080 We're ready to shoot. 149 00:08:38,720 --> 00:08:40,640 Go. Cameras! 150 00:08:40,760 --> 00:08:41,600 Action. 151 00:08:43,800 --> 00:08:46,280 Joshua, my son is possessed! 152 00:08:48,640 --> 00:08:49,640 I noticed. 153 00:08:57,920 --> 00:09:00,080 Good Good! 154 00:09:01,440 --> 00:09:04,800 Hey! Do you see the little goat? I cured it last week. 155 00:09:04,960 --> 00:09:07,000 -Do you see how agile she is? -That's right, master. 156 00:09:07,120 --> 00:09:09,360 -Mu! Mu! Mu! Mu! -What's that supposed to mean? 157 00:09:19,400 --> 00:09:21,400 Don't talk to anyone. 158 00:09:27,800 --> 00:09:29,960 Listen, you're not good at this. 159 00:09:30,920 --> 00:09:33,840 How dare he to interrupt the scene? 160 00:09:34,320 --> 00:09:37,480 Renato, she's not good at this. You have to claw your eyes out. 161 00:09:37,720 --> 00:09:39,800 -Stanis, don't interrupt the scene! -Scratch more. 162 00:09:40,200 --> 00:09:43,200 What the... She's a fucking amateur! It's nothing personal. 163 00:09:43,840 --> 00:09:47,920 My brother is possessed and crippled. Can you heal him? 164 00:09:48,200 --> 00:09:50,040 Possessed and crippled? 165 00:09:50,160 --> 00:09:51,080 Yes, both. 166 00:09:51,200 --> 00:09:55,560 Yes, I can cure both ailments, but I have to charge double. 167 00:09:56,480 --> 00:10:00,720 -Stanis, what's that supposed to mean? -Oh, René, just a little joke. 168 00:10:00,800 --> 00:10:04,400 For the making of. It was funny, wasn't it? 169 00:10:04,600 --> 00:10:07,280 Yes, but Jesus isn't supposed to be funny, Stanis! 170 00:10:08,920 --> 00:10:10,240 -You are healed. -Thanks. 171 00:10:10,400 --> 00:10:11,760 Go! All over again! 172 00:10:11,880 --> 00:10:15,040 -You're welcome. -Master, I can't walk. 173 00:10:15,400 --> 00:10:16,720 Can't walk? 174 00:10:28,440 --> 00:10:30,120 He stands up. 175 00:10:39,760 --> 00:10:41,000 He stands up. Well… 176 00:11:02,080 --> 00:11:03,120 I'm fine. 177 00:11:03,600 --> 00:11:06,240 Yes, but I'll do another test. You never know. 178 00:11:06,800 --> 00:11:09,440 Okay, let's stay put and do another one. 179 00:11:09,560 --> 00:11:12,120 Okay, Arianna, we'll do one, and a good one. 180 00:11:12,760 --> 00:11:15,000 After this scene That was it with the possessed, right? 181 00:11:15,280 --> 00:11:17,000 No, there are two more to come. 182 00:11:17,200 --> 00:11:19,240 How many possessed people were there back then? 183 00:11:19,400 --> 00:11:20,320 Many. 184 00:11:20,480 --> 00:11:22,240 You once had Chinese lessons. 185 00:11:22,360 --> 00:11:24,880 I still remember that the teacher had a son, right? 186 00:11:25,000 --> 00:11:26,600 A 13 year old son. 187 00:11:27,920 --> 00:11:29,040 No? 188 00:11:29,200 --> 00:11:35,080 Twenty? Okay, okay. No, nothing. Bye. 189 00:11:37,480 --> 00:11:39,560 Alfre… 190 00:11:41,040 --> 00:11:43,480 I have a Chinese boy found. Maybe two. 191 00:11:44,240 --> 00:11:45,480 Don't kid me. Really? 192 00:11:45,600 --> 00:11:46,760 -I swear. -How? 193 00:11:46,840 --> 00:11:49,040 -They're impossible to find. -The production team 194 00:11:49,120 --> 00:11:50,600 sent 700 emails. Two answers. 195 00:11:51,800 --> 00:11:53,440 Bravo! 196 00:11:53,560 --> 00:11:57,080 You're saving this series, Fabio. Do you know that? 197 00:11:57,200 --> 00:12:00,160 -I tried everything. Vain. -Let's hope they fit the role. 198 00:12:00,400 --> 00:12:01,680 -Are they Chinese? -Clearly. 199 00:12:01,760 --> 00:12:03,960 Definitely Chinese. Great! 200 00:12:06,080 --> 00:12:08,840 One two three. Stanis! 201 00:12:09,400 --> 00:12:13,200 You all are useless! You too, Peter. 202 00:12:13,720 --> 00:12:16,320 Okay, let's prepare a test run. Thanks. 203 00:12:16,560 --> 00:12:20,320 Osama, this is the final miracle, then you can dismantle the Steadicam. 204 00:12:20,480 --> 00:12:23,560 Okay, Rene. I don't give a shit. 205 00:12:31,720 --> 00:12:32,640 Nice. 206 00:12:33,280 --> 00:12:38,840 Do you mean to say, we have surpassed Master Figueroa? 207 00:12:39,920 --> 00:12:40,920 That's what you said. 208 00:12:42,560 --> 00:12:46,000 If you had been there, master, that wouldn't have happened! 209 00:12:47,160 --> 00:12:48,160 Lazarus is dead! 210 00:12:48,840 --> 00:12:49,960 Take me to him. 211 00:12:50,560 --> 00:12:52,040 But, sir, his corpse stinks! 212 00:12:53,200 --> 00:12:55,800 The corpse stinks? Seriously? I also like to improvise 213 00:12:55,880 --> 00:12:57,720 but that seems to me a little exaggerated. 214 00:12:57,840 --> 00:12:58,880 That's what it says in the Gospels. 215 00:12:59,200 --> 00:13:02,000 Okay, if that's what it says in the Gospel, I admit defeat. 216 00:13:02,360 --> 00:13:06,040 Because it is well written, but that's a terrible line of text. 217 00:13:06,280 --> 00:13:08,400 -Do we want to leave them out? -I am an actress. 218 00:13:08,680 --> 00:13:10,200 I don't give a shit. 219 00:13:12,520 --> 00:13:14,800 Your son died! You don't have back pain! 220 00:13:14,920 --> 00:13:17,560 Could someone help me? Thanks! 221 00:13:18,160 --> 00:13:19,280 Oh, Alessandro! 222 00:13:19,360 --> 00:13:20,480 -Alessandro! -Alessandro! 223 00:13:20,640 --> 00:13:22,480 -Do you still know us? -Do you still know us? 224 00:13:22,560 --> 00:13:24,320 -Naturally. -Don't touch him. 225 00:13:24,440 --> 00:13:26,040 -I didn't want that. -Who are you? 226 00:13:26,120 --> 00:13:27,400 Alfredo25. My email. 227 00:13:27,600 --> 00:13:28,840 -Ah... -"Too late." 228 00:13:28,920 --> 00:13:31,800 -Sure, I think I read the draft. -Do you remember? 229 00:13:31,880 --> 00:13:33,720 Do you think our project will be a hit? 230 00:13:33,840 --> 00:13:37,480 So actually I didn't understand what exactly it's about. 231 00:13:37,560 --> 00:13:39,200 It's about being late. 232 00:13:39,440 --> 00:13:42,360 This man is always late. He misses his flight, the train. 233 00:13:42,480 --> 00:13:46,560 -His life will be destroyed by this! -Yes, I understood that. 234 00:13:46,680 --> 00:13:49,120 -So? -Tell me. 235 00:13:50,960 --> 00:13:52,960 -Should I tell him about this great idea? -Yes! 236 00:13:54,400 --> 00:13:56,680 We are canceling the premiere for February 12th, 237 00:13:56,920 --> 00:13:58,400 but won't release until the 19th! 238 00:13:59,720 --> 00:14:02,200 -Wow. A delayed premiere. -Exactly! 239 00:14:02,360 --> 00:14:04,560 -Don't touch him! -Don't touch me. 240 00:14:04,800 --> 00:14:06,680 I'm sorry. This is our last chance. 241 00:14:06,760 --> 00:14:07,760 Tomorrow we'll kill ourselves. 242 00:14:07,840 --> 00:14:09,360 Really. Each other. 243 00:14:09,440 --> 00:14:10,720 -No, guys. -Give it 48 hours. 244 00:14:10,840 --> 00:14:12,160 The day after tomorrow we'll kill ourselves. 245 00:14:12,240 --> 00:14:13,200 Delayed! 246 00:14:13,320 --> 00:14:14,720 -Delayed! -Forgiveness. 247 00:14:14,800 --> 00:14:15,760 I can't believe it... 248 00:14:16,480 --> 00:14:19,080 -Jesus Christ, these guys. What's up? -Lopez wants to speak to you. 249 00:14:19,160 --> 00:14:20,840 Oh man. Let's go. 250 00:14:21,320 --> 00:14:25,480 Hey, you little asshole. This is Augusto. How are you doing? 251 00:14:26,200 --> 00:14:30,800 Still sick? You can hear it. I'm sorry, that you won't come back anymore. 252 00:14:30,920 --> 00:14:33,240 You should know that I finish everything. 253 00:14:33,360 --> 00:14:35,720 Not like you, so like a shitty intellectual, 254 00:14:35,840 --> 00:14:41,040 but in Figueroa style. I don't know if you've heard of him. 255 00:14:41,280 --> 00:14:42,920 Hello? Hello? 256 00:14:43,080 --> 00:14:45,480 -No, Figueroa… -Hello, asshole! 257 00:14:49,080 --> 00:14:51,520 Well done, Biascica! The light is wonderful! 258 00:14:51,720 --> 00:14:53,600 Really? Figueroa! 259 00:14:54,040 --> 00:14:55,120 Perfect! 260 00:14:55,280 --> 00:14:59,040 -I say: "Lazarus, arise and go!" -Exactly! Come on, let's shoot! 261 00:14:59,400 --> 00:15:03,120 -Go! -453-2, flap, the first. 262 00:15:04,960 --> 00:15:06,720 -Good? -Action! 263 00:15:08,600 --> 00:15:14,240 Lazarus, arise and go! 264 00:15:33,920 --> 00:15:36,000 We see Lazarus, who takes off the shroud... 265 00:15:37,800 --> 00:15:39,360 …and looks amazed. 266 00:15:42,200 --> 00:15:44,600 If Lazarus is not amazed, who will? 267 00:15:45,560 --> 00:15:46,800 Lazarus. 268 00:15:47,840 --> 00:15:48,960 I press F4. 269 00:15:50,760 --> 00:15:51,920 How I missed that. 270 00:15:54,040 --> 00:15:56,080 Cut! Very good! 271 00:15:56,280 --> 00:15:57,200 Pause! 272 00:15:57,640 --> 00:16:02,560 Arianna, Lopez spoke to me about this inclusion 273 00:16:02,680 --> 00:16:04,560 -and diversity matter. -Yes. 274 00:16:04,840 --> 00:16:07,120 He asked me to question the crew. 275 00:16:07,240 --> 00:16:09,440 No, that's not possible, Lalla. This is private. 276 00:16:09,760 --> 00:16:14,200 Yes, but I thought when I interview people confidentially 277 00:16:14,320 --> 00:16:17,080 and perhaps sexual experiences share with you, 278 00:16:17,600 --> 00:16:20,760 that wouldn't be a crime. Just a conversation, right? 279 00:16:22,840 --> 00:16:25,080 Okay, try it, but be careful. 280 00:16:25,160 --> 00:16:27,400 Would you like to start? 281 00:16:29,200 --> 00:16:31,600 Do you want to tell me something? 282 00:16:33,640 --> 00:16:34,680 Mario! 283 00:16:35,440 --> 00:16:37,560 I like to do it while Rome plays. 284 00:16:39,200 --> 00:16:41,160 -That's a tick, isn't it? -Yes. 285 00:16:41,400 --> 00:16:44,400 I'm writing a dissertation about sexual preferences. 286 00:16:44,760 --> 00:16:46,960 -Would you describe yours to me? -My what? 287 00:16:47,240 --> 00:16:48,760 Sexual preferences. 288 00:16:49,760 --> 00:16:52,440 No, I don't remember her anymore. 289 00:16:53,680 --> 00:16:54,680 And you, Manuela? 290 00:16:54,920 --> 00:17:00,520 No idea. I like artists. 291 00:17:01,000 --> 00:17:05,040 I like older and taller men. 292 00:17:05,120 --> 00:17:11,200 That's attractive. And mustaches. 293 00:17:11,400 --> 00:17:12,520 Rene! 294 00:17:13,040 --> 00:17:14,040 Maybe... 295 00:17:14,240 --> 00:17:16,760 -Rene! -Don't, wait. That's embarrassing. 296 00:17:16,960 --> 00:17:19,640 I have the feeling I can talk openly with you. 297 00:17:19,920 --> 00:17:20,960 Sure, you can. 298 00:17:21,680 --> 00:17:23,800 Men in overalls drive me crazy. 299 00:17:24,280 --> 00:17:27,600 Gas station employees drive me crazy. Is that strange? 300 00:17:28,520 --> 00:17:29,440 Yes. 301 00:17:29,800 --> 00:17:30,800 Good. 302 00:17:32,000 --> 00:17:33,320 Sit down! 303 00:17:40,200 --> 00:17:41,240 A wave. 304 00:17:41,400 --> 00:17:43,920 What does that mean? You've been saying that all day. 305 00:17:44,320 --> 00:17:47,360 I have great news. 306 00:17:48,480 --> 00:17:52,240 We have a necrophiliac Camera stage man. 307 00:17:54,840 --> 00:17:55,880 No, Diego. 308 00:17:56,000 --> 00:17:59,400 That is also a minority. I understand you only want homosexuals. 309 00:17:59,720 --> 00:18:02,920 -I didn't say that. -Someone comes to mind. 310 00:18:04,160 --> 00:18:05,360 A wave. 311 00:18:08,640 --> 00:18:09,720 A wave. 312 00:18:11,080 --> 00:18:13,440 He's here! Come here! He's here! 313 00:18:16,360 --> 00:18:18,920 Welcome! Please! 314 00:18:19,440 --> 00:18:21,040 For his mother, you idiot! 315 00:18:21,920 --> 00:18:23,680 -Great, welcome! -Alfredo! 316 00:18:23,800 --> 00:18:28,600 Here, here! Fantastic! You have a great face! Very pretty! 317 00:18:28,760 --> 00:18:32,040 Just seeing you, I already know that you are perfect for the role. 318 00:18:32,160 --> 00:18:34,440 I was told Fridays from 9:00 a.m. to 7:00 p.m. 319 00:18:35,760 --> 00:18:38,000 Yes, that's the shooting schedule, but what do you think? 320 00:18:38,080 --> 00:18:39,960 from a few test recordings in the meantime? 321 00:18:40,040 --> 00:18:41,440 It's just a formality. 322 00:18:42,080 --> 00:18:44,320 Formality. Great. 323 00:18:47,320 --> 00:18:49,400 -We'll bring him to me! -Yes! 324 00:18:49,560 --> 00:18:51,320 -Come! -Comes! 325 00:18:52,760 --> 00:18:54,080 Are you really Chinese? 326 00:18:54,200 --> 00:18:56,280 -Vietnamese. -What the hell? Vietnamese? 327 00:18:56,800 --> 00:18:58,480 Laura, do you have anyone at the moment? 328 00:18:58,680 --> 00:19:00,680 -Yes. -And what's her name? 329 00:19:01,800 --> 00:19:03,520 I don't understand. 330 00:19:03,640 --> 00:19:06,800 -Diego, right? -Yes, Diego. It's just that 331 00:19:07,040 --> 00:19:09,120 that on our sets always open-minded 332 00:19:09,280 --> 00:19:14,320 and the protection of all queer people and perverts were important. 333 00:19:15,760 --> 00:19:17,160 Diversity. 334 00:19:17,800 --> 00:19:20,080 Are you asking me to say I am homosexual? 335 00:19:20,280 --> 00:19:21,280 Yes, somehow. 336 00:19:21,400 --> 00:19:24,280 Forget it. That's my business. So don't count on me. 337 00:19:25,080 --> 00:19:27,760 All right. It's your business. 338 00:19:28,280 --> 00:19:32,080 I noticed that you film everything. 339 00:19:32,280 --> 00:19:34,560 So everything, and that's great. 340 00:19:34,640 --> 00:19:37,640 But it would be nice if you helped us give the revised version. 341 00:19:37,760 --> 00:19:39,600 Yes, that would be nice but I don't do that. 342 00:19:39,680 --> 00:19:42,800 Maybe you don't remember, but when I asked 343 00:19:42,920 --> 00:19:45,720 whether I could do a making-of, you said, I'm not getting paid. 344 00:19:45,800 --> 00:19:48,040 I agreed, to be able to do something artistic. 345 00:19:48,120 --> 00:19:50,800 So if you don't mind, I have the say in the editing. 346 00:19:51,040 --> 00:19:52,840 Oh yes? Listen, you little bitch, 347 00:19:52,960 --> 00:19:55,440 I have a stadium full of making-of directors, 348 00:19:55,560 --> 00:19:59,480 who would do it for free and are much more homosexual than you. 349 00:19:59,680 --> 00:20:01,480 I will destroy you. 350 00:20:01,560 --> 00:20:02,640 -No. -But. 351 00:20:02,720 --> 00:20:04,800 won't you, because maybe you don't know 352 00:20:04,920 --> 00:20:06,640 that Allison and I are in touch. 353 00:20:06,800 --> 00:20:07,680 You and Allison? 354 00:20:07,760 --> 00:20:09,480 -Exactly. Allison Dalman. -From the platform. 355 00:20:10,160 --> 00:20:12,080 She liked what I have sent her so far. 356 00:20:12,160 --> 00:20:15,000 So I became official employed by the platform. 357 00:20:15,160 --> 00:20:16,640 -Good girl. -Yes. 358 00:20:16,800 --> 00:20:19,560 Would you do that with destroying it? repeat again? 359 00:20:19,960 --> 00:20:21,000 -Is it on? -Yes. 360 00:20:22,440 --> 00:20:29,400 This set teaches me a lot, actually about myself, my intimate self. 361 00:20:29,640 --> 00:20:33,040 I open up towards new experiences. 362 00:20:34,760 --> 00:20:36,240 Even on a sexual level. 363 00:20:38,840 --> 00:20:40,000 Thank you, that was perfect. 364 00:20:50,760 --> 00:20:52,560 -Did you read the scene? -Yes. 365 00:20:52,680 --> 00:20:55,120 First comes the scene in which the women 366 00:20:55,320 --> 00:20:58,320 about the situation of women in Palestine of the year 30 talk. 367 00:20:58,440 --> 00:21:02,680 -I read it. I didn't like it. -Okay, but we should shoot it, Karin. 368 00:21:02,960 --> 00:21:04,240 OK. 369 00:21:04,360 --> 00:21:06,800 Also about the new role of women to emphasize in society. 370 00:21:06,920 --> 00:21:08,280 In Palestine in the 1930s? 371 00:21:08,480 --> 00:21:11,920 Yes, because you are the pioneers this movement. Do you understand? 372 00:21:12,320 --> 00:21:14,760 Immediately afterwards comes the scene, in which you 373 00:21:14,880 --> 00:21:17,040 Rubbing Jesus' feet with your hair. 374 00:21:17,200 --> 00:21:18,520 Yes, the fetish scene. 375 00:21:19,320 --> 00:21:22,120 That's what you can call them, but we don't want to 376 00:21:22,280 --> 00:21:23,600 go too far in that direction. 377 00:21:23,840 --> 00:21:24,960 Are you crazy? 378 00:21:25,040 --> 00:21:28,520 That's the crux of the scene. The marrow. 379 00:21:28,920 --> 00:21:31,440 When you bite into a chicken bone 380 00:21:31,760 --> 00:21:35,640 and finds mark in it, that's the best part! 381 00:21:35,960 --> 00:21:37,560 Do you understand that, René? 382 00:21:37,880 --> 00:21:41,040 That's a beautiful metaphor, Karin. Go, go, go. 383 00:21:42,200 --> 00:21:45,600 Markus comes from a Chinese family Family, because there were quite a few at the time 384 00:21:45,840 --> 00:21:50,160 Chinese enclaves in Palestine. Let's rehearse the scene. Ready? 385 00:21:50,640 --> 00:21:53,320 Do you know your text? Go, go, go! Action! 386 00:21:54,600 --> 00:22:00,080 -Joshua, is that true about Judas' brother? -Stop! 387 00:22:02,760 --> 00:22:06,200 Breathe, be natural, like you and I were in a bar. 388 00:22:06,280 --> 00:22:09,360 Forget the camera. It's just you and me here. Go. 389 00:22:10,120 --> 00:22:15,360 Joshua, is that true about Judas' brother? The police took him out? 390 00:22:16,200 --> 00:22:22,000 OK, good. Everything's fine, but you sound too Vietnamese. 391 00:22:22,080 --> 00:22:27,600 Go outside, breathe, have a drink, go through your text. Go. 392 00:22:31,320 --> 00:22:34,080 What's really going on? I have thought about it all day. 393 00:22:34,200 --> 00:22:35,560 Is the thing degenerative? 394 00:22:35,680 --> 00:22:40,800 It's a cataract. After an operation I will be able to see perfectly again. 395 00:22:41,000 --> 00:22:42,640 Then have an operation, Duccio! 396 00:22:42,720 --> 00:22:43,960 No need to rush. 397 00:22:44,400 --> 00:22:45,960 Much of what I saw disappointed me, 398 00:22:46,040 --> 00:22:48,920 and if I don't see that, I'm feeling better. I'd rather wait. 399 00:22:49,040 --> 00:22:51,960 Are you serious, Duccio? You have to have surgery! Morning! 400 00:22:52,280 --> 00:22:55,960 Why are you so pissed off? It only brings good things with it. 401 00:22:56,080 --> 00:22:59,000 Check out Biascica's wonderful camera work. 402 00:22:59,080 --> 00:23:01,040 Duccio, either you have an operation 403 00:23:01,160 --> 00:23:04,920 -or I'll have you fired. -He's a failure. 404 00:23:05,160 --> 00:23:08,200 -Stanis, I know. -The Chinese boy. I'm sorry. 405 00:23:08,680 --> 00:23:11,920 It's not his fault. He's 14, but he's a bust. 406 00:23:12,240 --> 00:23:13,480 Don't we have another one? 407 00:23:13,560 --> 00:23:16,840 Yes, but we don't know if he's coming. His parents are against it. 408 00:23:17,000 --> 00:23:20,160 The father insulted me with a strong Tuscan accent. 409 00:23:20,320 --> 00:23:23,760 -Please find the Chinese boy. -Easily said. 410 00:23:24,040 --> 00:23:26,200 Hey, are you still that good in bed? 411 00:23:26,640 --> 00:23:27,960 Karin. 412 00:23:29,240 --> 00:23:33,800 In two months I'm celebrating 25 years of abstinence. 413 00:23:34,120 --> 00:23:35,000 Really? 414 00:23:35,480 --> 00:23:37,240 Seriously, Duccio? 415 00:23:37,400 --> 00:23:40,760 In two months. You should try it. That feels good. 416 00:23:41,400 --> 00:23:43,600 -Yes, but 25 years? -Sorry, René. 417 00:23:44,160 --> 00:23:46,240 Why do I say this sentence? That's strange. 418 00:23:46,360 --> 00:23:51,920 No, Maria is a controversial figure. She is the future. This is modern. 419 00:23:52,200 --> 00:23:56,640 Modern. Then I calculate 77 times 39! 420 00:23:57,600 --> 00:23:59,840 -Wow. What a bill! -Do you see? 421 00:24:00,920 --> 00:24:01,840 What is she talking about? 422 00:24:01,960 --> 00:24:05,520 Unimportant. Please let's shoot. Are we ready? 423 00:24:06,360 --> 00:24:09,880 The topic of our meeting today is the role of women in our time. 424 00:24:10,160 --> 00:24:11,440 Who wants to say something? 425 00:24:11,600 --> 00:24:13,920 I don't understand why men always decide 426 00:24:14,000 --> 00:24:15,640 what is right and wrong. 427 00:24:15,760 --> 00:24:17,320 Are you talking about Joshua? 428 00:24:17,800 --> 00:24:20,040 -Why can't God be a woman? -Not! 429 00:24:21,120 --> 00:24:24,600 I don't like it, when they hit you on the street. 430 00:24:24,880 --> 00:24:28,240 This problem will be solved in a few years. 431 00:24:28,640 --> 00:24:31,440 You are young. What do you think? 432 00:24:32,160 --> 00:24:34,680 I'd rather not say anything at all and take care of my things. 433 00:24:35,600 --> 00:24:37,880 Those who are silent are part of the problem. 434 00:24:42,720 --> 00:24:45,280 Cut! Well done, girls! 435 00:24:45,440 --> 00:24:49,760 And with that we can Tick off “the perception of women”. 436 00:24:49,920 --> 00:24:51,440 Are you happy, Arianna? 437 00:24:51,560 --> 00:24:52,520 Clear. 438 00:24:56,280 --> 00:24:59,520 Who are you? What are you doing here? Did you take photos? 439 00:24:59,800 --> 00:25:02,360 -Show me your cell phone. -No. 440 00:25:02,440 --> 00:25:04,480 -No way. -Are you crazy? 441 00:25:04,600 --> 00:25:07,440 Lalla! Lalla, what's the point? Are you Fabio? 442 00:25:07,720 --> 00:25:10,040 -Yes. -Fabio Chang! It's him. 443 00:25:10,960 --> 00:25:13,800 Great! Thanks for coming. How did you get here? 444 00:25:14,080 --> 00:25:16,640 -By subway. -Wonderful! By subway. 445 00:25:17,360 --> 00:25:18,280 Alfredo. 446 00:25:20,960 --> 00:25:22,800 The other Chinese boy is here. 447 00:25:22,880 --> 00:25:25,160 Wow, wonderful! Where did you find him? 448 00:25:25,320 --> 00:25:26,200 No idea. 449 00:25:26,320 --> 00:25:28,640 Come here. Come on. Go. 450 00:25:28,720 --> 00:25:31,400 -Okay, hi. -Hi. 451 00:25:31,640 --> 00:25:33,480 -Good boy! -Thanks. 452 00:25:35,040 --> 00:25:36,680 -Do you know the text? -Yes. 453 00:25:36,960 --> 00:25:41,560 Really? Good boy! Stand there. Action. 454 00:25:42,000 --> 00:25:46,080 Joshua, I know how close you all are Judas' older brother stands. 455 00:25:46,320 --> 00:25:50,320 He was your role model. I'm afraid that this will mark you forever. 456 00:25:52,640 --> 00:25:55,280 Good boy! 457 00:25:58,720 --> 00:25:59,880 Into the mask with you. 458 00:26:02,120 --> 00:26:06,080 Try to keep your foot here at all times. I shine the spotlight on it. 459 00:26:06,280 --> 00:26:09,240 Your foot is getting really good come into effect. Figueroa style, yes? 460 00:26:10,720 --> 00:26:11,880 That's fine, René! 461 00:26:12,000 --> 00:26:16,480 Okay, then let's shoot! Recording! 462 00:26:16,680 --> 00:26:17,520 Camera is rolling! 463 00:26:17,640 --> 00:26:19,720 533-1, flap, the second. 464 00:26:22,520 --> 00:26:24,160 And action. 465 00:26:39,000 --> 00:26:40,000 Ouch! 466 00:26:41,520 --> 00:26:42,760 Stay down! 467 00:26:43,120 --> 00:26:44,680 Stop. A misunderstanding. 468 00:26:45,040 --> 00:26:46,280 Karin makes a porn out of it. 469 00:26:46,440 --> 00:26:50,440 This is clearly a fetish scene. It even says so in the Gospels. 470 00:26:50,520 --> 00:26:52,240 Don't you know that sex is sacred? 471 00:26:52,640 --> 00:26:56,800 Oh, I beg you. I like the approach! Use it to create conflict! 472 00:26:56,920 --> 00:26:57,760 Come on! 473 00:26:57,840 --> 00:27:00,480 Which conflict? Stop touching me! 474 00:27:00,600 --> 00:27:03,520 No conflict, no drama, Stanis! 475 00:27:03,720 --> 00:27:06,680 -Come on, I'll dry your hair later. -Don't touch me like that. 476 00:27:06,760 --> 00:27:10,760 -Come on. Moment. -Come on, again! Recording! 477 00:27:11,480 --> 00:27:13,600 533-1, flap, the third. 478 00:27:15,600 --> 00:27:17,680 And action! 479 00:27:22,360 --> 00:27:27,400 Joshua, give me your foot. Go. 480 00:27:36,200 --> 00:27:38,360 Do you realize... 481 00:27:39,480 --> 00:27:44,040 ...that you have the role? The young Markus. Are you happy? 482 00:27:44,680 --> 00:27:45,680 Yes, of course. 483 00:27:46,160 --> 00:27:48,920 You start with young Markus and then it's straight to the Oscars. 484 00:27:49,120 --> 00:27:50,000 Yes, sure. 485 00:27:51,560 --> 00:27:54,480 First I will speak to the restaurant. 486 00:27:55,120 --> 00:27:56,240 Which restaurant? 487 00:27:56,640 --> 00:27:57,800 Where do you work? 488 00:27:58,000 --> 00:27:59,800 I don't work. I still go to school. 489 00:28:03,360 --> 00:28:05,000 Naturally. 490 00:28:06,000 --> 00:28:09,880 Okay, I'll put "school" in it. Should I talk to the principal? 491 00:28:12,280 --> 00:28:14,960 -Bye, Arianna, see you next week. -Bye. 492 00:28:18,360 --> 00:28:23,640 -That doesn't exist! That's annoying! -What have you forgotten? 493 00:28:23,880 --> 00:28:27,040 Allison wants a phone call. There's a problem on set. 494 00:28:27,520 --> 00:28:29,680 -What kind? -No idea. 495 00:28:31,120 --> 00:28:32,480 Hey. 496 00:28:32,760 --> 00:28:36,440 you say, the fetish scene is amazing. 497 00:28:36,600 --> 00:28:39,560 -What do you mean by “fetish scene”? -That's what Karin calls her. 498 00:28:39,760 --> 00:28:42,080 Who says isn't it strange on our set? 499 00:28:42,200 --> 00:28:45,320 -Biascica, she's calling. -I'm leaving, but tell her. 500 00:28:45,440 --> 00:28:46,520 I'll tell her. 501 00:28:46,800 --> 00:28:49,920 -Tell him. -Good news. 502 00:28:50,320 --> 00:28:53,600 As it turned out, Duccio had Haven't had sex for 25 years. 503 00:28:55,480 --> 00:28:57,680 There are eunuchs, who do this voluntarily 504 00:28:57,800 --> 00:29:00,960 for the sake of the kingdom of heaven. The, he who has ears to hear, let him hear. 505 00:29:01,640 --> 00:29:05,880 If you want, I can say I'm gay. 506 00:29:08,520 --> 00:29:12,200 No reason to lie, 507 00:29:12,320 --> 00:29:15,000 because Duccio can officially be defined as asexual. 508 00:29:15,640 --> 00:29:17,600 This is a minority that we protect. 509 00:29:18,000 --> 00:29:20,520 Cool! What do I have to do? 510 00:29:21,200 --> 00:29:23,320 -Nothing. -I can do that. 511 00:29:26,000 --> 00:29:27,360 -Hi! -Hi! 512 00:29:27,840 --> 00:29:31,560 I saw the recordings. The camera work is beautiful, 513 00:29:31,720 --> 00:29:36,120 but I also saw the recordings behind the scenes. There is racism on set. 514 00:29:36,560 --> 00:29:39,040 Racism? Like that? Explain that to me. 515 00:29:39,120 --> 00:29:41,520 Either you take care of it or the contract falls through. 516 00:29:41,680 --> 00:29:44,720 I can't talk about it right now, but the making-of says it all. 517 00:29:45,640 --> 00:29:46,600 No... 518 00:29:48,880 --> 00:29:50,120 A wave. 519 00:29:50,720 --> 00:29:53,680 What the hell did you send them? I asked you to show us. 520 00:29:53,840 --> 00:29:57,280 I filmed horrific things but they didn't edit. 521 00:29:57,440 --> 00:29:58,680 Wouldn't be of any benefit to me. 522 00:29:58,760 --> 00:30:00,800 If you don't complete the series, I'll lose the job. 523 00:30:00,880 --> 00:30:04,360 -I only sent them the good stuff. -Sure, good stuff. 524 00:30:04,520 --> 00:30:05,480 Disgustingly sweet. 525 00:30:05,640 --> 00:30:09,120 Clear. “There is racism on your set!” 526 00:30:09,320 --> 00:30:11,240 Can we see the footage? 527 00:30:19,840 --> 00:30:21,800 So far everything is good. 528 00:30:22,640 --> 00:30:23,560 Beautiful. 529 00:30:29,640 --> 00:30:31,000 Even here. 530 00:30:31,840 --> 00:30:34,400 But maybe... 531 00:30:35,720 --> 00:30:37,760 Here, there it is. 532 00:30:37,880 --> 00:30:39,360 That's me. 533 00:30:41,920 --> 00:30:45,840 This is where Biascica comes into play funny about Chinese people. 534 00:30:46,200 --> 00:30:47,440 -The? -Just look. 535 00:30:49,920 --> 00:30:52,400 -But I just rubbed my eyes! -Yes I know. 536 00:30:52,520 --> 00:30:54,520 I got the sand wiped out of sight! 537 00:30:54,680 --> 00:30:56,880 I have dirt on myself wiped from the corner of my eye. 538 00:30:56,960 --> 00:31:00,200 I know. But here Allison has clearly saw racism. 539 00:31:00,320 --> 00:31:02,160 What does this mean? What are you talking about? 540 00:31:02,360 --> 00:31:05,120 -I love oriental people. -All? 541 00:31:05,400 --> 00:31:08,920 All! I would hug them all. One at a time. 542 00:31:10,480 --> 00:31:15,080 As I know them, you're in big trouble. 543 00:31:15,240 --> 00:31:16,200 What a… 544 00:31:18,800 --> 00:31:20,240 I just rubbed my eyes. 545 00:31:21,880 --> 00:31:22,840 -On the… -No! 546 00:31:23,640 --> 00:31:27,200 No wiping your eyes on the set of the platform! 547 00:31:28,320 --> 00:31:29,520 Oh God. 548 00:31:33,400 --> 00:31:39,240 The eyes of the heart The eyes of the heart 549 00:31:39,520 --> 00:31:41,760 Boris 550 00:31:41,880 --> 00:31:47,840 I'm singing a new story With emancipated characters 551 00:31:48,000 --> 00:31:53,880 Just like the new algorithm The platform dictates 552 00:31:54,480 --> 00:32:00,160 Parallel actions And complicated scenes 553 00:32:00,480 --> 00:32:01,680 Boris 554 00:32:01,920 --> 00:32:06,960 We don't shoot them But we tell them 555 00:32:08,000 --> 00:32:13,360 An exciting TV series That never lets you go 556 00:32:13,640 --> 00:32:20,640 Amidst supermen and teenagers You're glued to the screen 557 00:32:21,120 --> 00:32:27,560 Oh, Boris, oh, Boris Oh, Boris 558 00:32:29,040 --> 00:32:31,960 No! Not Figueroa! 559 00:32:32,240 --> 00:32:33,680 No! 560 00:32:35,040 --> 00:32:36,520 Not Figueroa! 561 00:32:38,760 --> 00:32:40,400 Help! 562 00:32:42,080 --> 00:32:43,120 Help! 563 00:32:43,200 --> 00:32:44,560 Subtitles by: Claudia Hager-Smolka